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All is flux, and nothing abides.
- Heraclitus (c. 535-475 BC), quoted in Plato, Cratylus 402a, and Diogenes Laertius, Lives of the Philosophers, IX.8 (c. 3rd century BC)(Source: ancientpeoples, via mirroir)
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‘A Noite é uma Vaca Preta’ | ‘Night is a Black Cow’
Nanquim, aquarela e folha de ouro sobre papel | Ink, watercolor and golden leaf on paper
2013
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Hydrangea, 2009. Mixed media.
Hydrangea (detail).
Reveal, 2012. Mixed media. Wall sculpture.
Twist, 2012. Mixed media. Wall sculpture.
Wrap, 2012. Mixed media.
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‘A Noite é uma Vaca Preta (Night is a Black Cow)’ - Ink, watercolor and golden leaf on paper. (em Terranegra)
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“Bridging the gap between this avant/occult scene and the (relatively) mainstream world Harrington was trying to find his way into at the start of the ‘60s, Cameron reappears in ‘Night Tide’ as the mysterious woman who haunts Mora, calling her back toward the ocean, and it is her unmistakable presence that will immediately have any occult bozos in the audience sitting up and paying attention.” (From a write up on a film blog with one of the best cover photos I’ve ever seen.)
A couple of stills from Curtis Harrington’s “Night Tide” of the mystical magical one time Scarlet Woman Cameron. This would have been around the time she was rooming with Dennis Hopper, her co-star, and Dean Stockwell. “Night Tide” is a criminally unappreciated film- I caught a late night showing on TCM a few years back and it is available on DVD.
